
Article Title
Dichotomy of Fan: A Snapshot of Interaction, Participation, and Belonging in Modern Fandom Culture
Abstract
Welcome to the summary of my M.A. thesis website, DichotomyofFan.com, whose full title is, as you saw on the previous page, Dichotomy of Fan: A Snapshot of Interaction, Participation, and Belonging in Modern Fandom Culture. As I believe it would be a bit much to dump everything on the site—there are 15 interviews and that’s only one section—into this summary, I’ll be including a preview of each main section of the project. Speaking of, there are a lot of ways I can (and have) introduced this project to people. Instead of the default Surprised-Pikachu-meme-How-Do-I-Even-Explain-This awkward pause, allow me to use past mini-projects requiring me to explain it in succinct terms that make sense... in order to make it make sense. Everyone is a fan of something. Everyone has their thing—music, shows, books—that influences them, drives them, or simply puts a smile on their face throughout the day. My thesis project started as a result of fan experience—a creative piece after years of influence, interaction, and participation—but soon moved to an exploration of fandom itself. It has become a snapshot of fan communities today as both my peers—through interviews—and I—through autoethnographic accounts—have experienced them, analyzed through the theoretical discussions of researchers like Henry Jenkins and compiled in a series of vignettes (read: rants) on fandom trends, ethics, memes, and lingo.
Recommended Citation
Masucci, Christina
(2020)
"Dichotomy of Fan: A Snapshot of Interaction, Participation, and Belonging in Modern Fandom Culture,"
Kean Quest: Vol. 3:
Iss.
1, Article 1.
Available at:
https://digitalcommons.kean.edu/keanquest/vol3/iss1/1